I Never Loved A Man The Way I Love You

A lot of people have called this the best soul album ever. That's selling it short. Certainly Aretha Franklin's voice and piano playing, along with those fat horns behind her, are the very definition of soul. But this album is so good that if you made a list of the best albums of all times in ANY genre this one would have to be on it.

Even if you own one of the greatest hits collections, or even the boxed set, you need this album (and probably "Lady Soul" as well). It just all hangs together so beautifully.

"Respect" starts it off with a great big blast of horns and Aretha's commanding voice. Then she slows down and breaks your heart with "Drown In My Own Tears." Most of the rest of the songs on the album are more emotionally complicated, combining the qualities of the first two songs. They mine the pain of deep love and at the same time demand respect and decent treatment (You have to understand that this album came out in 1967 - several years before the modern feminist movement began - to realize how remarkable that is. And to this day I don't think any singer other than Lauryn Hill has captured women's simultaneous need for love and dignity as well).

The album ends on a perfect note: Sam Cooke's "A Change Is Gonna Come." Cooke originally wrote the song as a kind of response to Bob Dylan's "The Times They Are A-Changing." Cooke was more optimistic than Dylan, and the song suggests that despite the pain and turmoil of the sixties, better days were ahead, particularly in the area of civil rights. It's also a deeply religious song. When Aretha sings it, she holds out the same hope and optimism for the country that Sam Cooke did. But in the context of the album, it seems to take on a more personal meaning as well. It's not just about different races learning to get along, but about men and women learning to give each other respect as well. I literally can't listen to her sing it without crying. If this song doesn't set your soul on fire, you haven't got one.

All in all, this is one of those rare albums, in the same category as Kind of Blue, Sgt. Pepper, and Blonde on Blonde, that you just have to own and listen to over and over again. It's not just great popular music, it's a work of art.

This might just be the best Aretha disc you can get. Simply brilliant- if you like her at all, you will love this disc.

Aretha Franklin always had the tools. She was the daughter of a minister and grew up singing in the church. She could also play a mean piano, whether slow and soulfully, or fast and rollicking. At the age of 18 she signed with Columbia Records. For the next 6 years, she recorded a huge body of work, ranging from jazz and blues, to standards and pop, to straight R&B and soul. The label didn't seem to know what to do with her, in terms of consistent direction. But all of that dues-paying singing Aretha did in those early years would soon pay off in a big way. When her CBS contract expired, Atlantic Records snapped her up faster than you can say "Gold Records." The rest, as they say, is history. This album changed things all at once for Aretha. Its release proved to be both a coming-out party and a coronation. And a singer who, to that point, was considered an also-ran amidst the landscape of soul-singing Sisters, took her rightful place as The Queen of Soul. It is a place she still holds today. No one could do it like Aretha! This landmark set contained two singles that changed the face of pop music. The title cut set the tone with its first biting line: "You're a no good heartbreaker!" But, of course, Aretha loves him. In that way, she was like a lot of other women, especially Black women. That's really the key to Aretha's success: she knows how to talk to women. Sisterhood has really always been where she was coming from. The next single, "Respect," is considered by most to be the greatest pop single of all time. Which is amazing, considering that its writer, Otis Redding, had a big R&B hit with the song only 2 years prior. The story goes that when Otis first heard Aretha's version, he told his producer, "That girl done stole my song!" He was right. Aretha, singing and playing her heart out, was all over "Respect." She demanded her propers not only for herself, but for Black women, for women worldwide, for Black people, and for oppressed people everywhere. The album's third single, "Do Right Woman, Do Right Man," is another classic. And this deep, deep set also contains favorites like "Don't Let Me Lose This Dream" and "Soul Serenade." And Aretha showcases all she learned singing the blues at CBS, with her self-penned "Dr. Feelgood," which is still one of her biggest numbers at live shows. One listen to this song, and you can't help but say, "Right on, Sister!" or "You go, Girl!" In case you don't know, this album routinely makes the top ten of lists of the best albums ever. I rank it just behind "What's Going On" by Marvin Gaye, as the second-best soul album of all-time.

I believe this album is the most perfect album ever made. Every song is a gem, they fit together perfectly, and the listener is transported to her soul. Even great musicians have songs that feel phoned in, or are filler, but this collection does not miss. Should be a part of every music collection.

I have been a fan of Aretha's since she was with Columbia where she had done remarkable work but unfortunately to a limited audience. In 1967, when this album was released, as a 10th grader, I was floored to say the least. The woman is an icon and has affected the lives of millions. This is a spectacular first effort with Atlantic filled with classic performances and jewels penned by Aretha, most notably, "Baby Baby, Baby," "Don't Le Me Lose This Dream", "Dr. Feelgood". Classic covers include "Drown In My Own Tears," "Do-Right Woman, Do-Right Man," and the BOMB, "A Change Is Gonna Come" which works your very soul and gives you hope that your change has indeed come. This is classic soul and surely a foundation for singers, male or female, who need training in expression, vocal technique, phrasing, and pure musicianship. Hats off, Aretha! And thank you so very much!