An Ancient Muse

I always liked Loreena McKennitt, but it wasn't until I saw her "Nights of the Alhambra" DVD that I became a real fan. Prior to that, I was attracted by her beautiful voice and her haunting arrangements of traditional Celtic music. But after seeing "Alahambra", I realized that she also plays several instruments with virtuousity, and is a great performer! Now, when I listen to her new Ancient Muse DVD, I get more out of it, because it recalls the concert and makes the experience a (virtual) visual as well as an audio treat!

She explores new ground- but subtly, so it is not surprising that many reviewers missed it- she took the train to Istanbul and her fans are still milling about on the Morocco platform...

I've had this album for about a year, and I can tell you it really is one of my favorites! The blending of musical styles and instruments, not to mention the musical expertise of all the accompaniament is quite unique! Like many others, I am particularly fond of the Middle Eastern influence in such pieces as 'Caravanserai.' To me, pieces like this are written in 'camel time,'which is the cadence of camels crossing the endless desert, going somewhere, but a long, long way to go.... Excellent music for driving long distances, background music, music for contemplation and many other things as well, it is at once mesmerising, soothing and illuminating as well. While it has taken Loreena ten years to come out with something new, when you consider the work and expertise by all parties that has gone into this, it really doesn't surprise me at all; perfection takes a long time to master! I styrongly recommend this one, and if you like it (and I am pretty sure you will!) then try the new 'Night at the Alhambra' as well......

Fans of Loreena McKennitt will be pleased with this long-awaited album. It has a lot of similarities to her earlier work, but is different enough that I didn't feel like it was a rehash. You'll especially like this if you enjoyed the increasing Middle Eastern influences in McKennitt's last few albums. _An Ancient Muse_ is where the scale tips, more Middle Eastern than Celtic. You might guess that just by the (gorgeous) cover, though!

What I noticed most, besides the sheer beauty of the music, is that the recent years of war have weighed heavily on McKennitt. Several of the songs on _An Ancient Muse_ deal with the theme of war, and the tragedy thereof. "Caravanserai" and "Beneath a Phrygian Sky" mention war explicitly, mourning the "years of war," the "sword and gun and hatred." "Penelope's Song" is less blatant, but as it's about the Greek heroine who waited for her husband to come home from Troy, it fits.

Even when McKennitt returns to the tragic love ballad, with "The English Ladye and the Knight," there's something in the "feel" of the song that seems to focus more on "love one another" than on these two lovers in particular. I don't think it's an accident that McKennitt chose a ballad that features a Crusades death and has the refrain "for Love shall still be lord of all."

This is a beautiful album and I definitely recommend it. It has her usual haunting vocals and entrancing melodies, and seems to possess a subtle but inescapable moral: war is hell, and love is the only hope.

In this very humble devotee's opinion, Loreena McKennitt could sing "99 Bottles of Beer on the Wall" and it would sound as if inspired by a great poet of yore, sung by the priestess of a mystic goddess. Needless to say, all of her CDs receive my highest rating. The only difference between them in my estimation is that one or the other my have certain all time favorite songs or poems--and ALL of them feature a lot of those.

One thing that immediately stands out in AN ANCIENT MUSE is the degree of Middle Eastern musical phrasing, even more prominent than in NIGHTS FROM THE ALLHAMBRA.

I love the Middle Eastern sound.

Another element that really shines out in this CD is the superlative quality of the accompanying instrumental composition & musicians. "Kecharitomene" is a powerful non-vocal composition & performance. It's really great to hear the hurdy gurdy played on many of the pieces. I can't single out any performer because they all sounded wonderful. Also, there were some instruments I wasn't familiar with--and synthesizing made identification difficult at some points. The lead instrument in the "Caravanserai" selection sounded like a violin. was SO GOOD. In fact, it reflected a very pleasant overall romantic feel to this CD.

"Caravanserai" bestows "the gift of tears" (at least for me) and beckons like a ray of light in this very sad world. This lovely song can be heard as a musical prologue to the next song The English Ladye and The Knights, with its Palestrina like choral intro and conclusion.

"Kecharitomene" is a powerful non-vocal composition & incredible performance

AN ANCIENT MUSE really is my favorite McKennitt CD--now THAT's a recommendation.

I had to create my own 6 Star rating for it.

Nights from the Alhambra - (Jewel 2 CD + DVD)
The Book of Secrets
The Mask and Mirror
The Visit
Elemental
Parallel Dreams